|Artist: Red Axes|
Catalog #: DE-268
Release Date: December 6, 2019
Our final release of 2019 is a 4-track EP by Red Axes, the prolific production duo of Dori Sadovnik and Niv Arzi from Tel Aviv. The pair were raised on a diet of post-punk, new-wave, and Italo-disco at fogged out warehouse and basement parties. Their own productions and remixes have appeared on labels such as I’m a Cliché, Correspondant, and Hivern Discs. “Voom” kicks things off with wild percussive toms and bubblegum female chants over a fat electro break. “Doom” rightly brings us into a dark, menacing cave where see pulses of light in the form of carefully placed synth lasers. “Mister Q” serves up metallic rhythms a la Front 242 backed with a strobe-ready sound. “Prblems” is the 10-minute anthem that closes the EP in typical Axes fashion: militant drums, battered electronics and lovingly drowned traditional instruments hypnotically pulse and reverberate. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The EP is housed in a die cut jacket that keeps the dancefloor vibes with a bold, DIY design by Eloise Leigh.
Title: Dusk Till Dawn
Catalog #: DE-267
Release Date: November 29, 2019
Product Of My Environment
Tel Aviv born, Berlin based duo TV.OUT make their Dark Entries debut with a 6-track EP titled ‘Dust Till Dawn’ out Black Friday 2019. Doron Mastey Charly & Ori Itshaki have made a name for themselves the past few years putting on impressive live sets, DJing around the world, and running Parallax Records releasing various strains of rugged, well informed electronic music. Clocking in at 36 minutes this collection moves in hot pursuit of their two previous EPs for L.I.E.S. Side A opens with the metallic hi-hats of “Morning Light” that echoes early Euro/Goa techno-EBM sound to the 8-minute sleek, pounding industrial darkroom vibes of “Sun” and closes with the titanium-tipped 808 warped electro of “War Zone”. Side B leads off with the heavy New Beat scorcher “Lord”, a song we first heard on a mix from Cardopusher and knew we had to release. Then comes “Product Of My Environment” a slow-motion mutant menace that flows into the final song “Slippery Slope” a classic West Coast of The Hague ‘90s style electro perfectly suited for complete dance floor drama. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in jacket designed by Eloise Leigh with black-white-red apocalyptic vibes and bold type.
Dark Day – Darkest Before Dawn
Release Date: November 22, 2019
Catalog Number: DE-263
1. a) Meadowlands;
b) Down To Elephantine;
c) Letters From The Dead
2. Darker Days
3. Shod With Boots Of Ether
4. In Sickness And In Health (The Broken Vow)
5. The Haunted Child (Wales Whales Wails)
6. Lost In The Shuffle
7. Giantess (The Old Ones Come Home)
8. The Disappearance
9. Wheel Whirl-Thing (Little Snails In The Big Woods)
10. Equestrian (The Trojan Horse)
11. Pedestrian (Heads Will Roll)
12. Rise To Fall (Finding The Fountain Of Youth)
13. Heroine (Coronation Of The Queen Of The Cannibal Isles)
Dark Day is the brainchild of Robin Crutchfield, a New York City based musician, performance artist, and writer. Robin’s musical path began in 1977 when he formed the no wave group DNA with Arto Lindsay and Ikue Mori. In 1979 Crutchfield left DNA to pursue his more synthesizer-based solo project. He released the ‘Hands In The Dark’ 7” followed by two albums, ‘Exterminating Angel’ in 1980 and ‘Window’ in 1982. In 1984 he re-launched Dark Day as an acoustic chamber ensemble performing ethereal soundscapes and self-released two cassette albums “Obsession” and “Beyond The Pale”.
‘Darkest Before Dawn’ is a collection of 13 songs recorded between 1985-86, released on CD in 1989 that have never been pressed to vinyl before. The album is a lost medieval collection of pagan tunes for private ceremonies. Played on echoey pipe organ backed by saw-like rhythmic cello lines and melodic woodwind recorder, driven by the beats of rattles, bells, and drums. These simple, cyclical layered instrumental rounds owe much to the inspiration of Moondog as well as the efforts of the Penguin Cafe Orchestra and Dead Can Dance. The original press release stated, “Serious gothic organ works which cross Captain Nemo’s Nautilus pipe organ with the standing stones of Stonehenge and reminisce Babylonian battle hymns and Egyptian burial ceremonies.” All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in jacket featuring illustrations from Thomas Bewick’s ‘Vignettes’ and includes a double sided insert with photos and notes.
V/A – Tens Across the Board
Release Date: November 15, 2019
Catalog Number: DE-260
Parade Ground – The Light’s Gone
Diseño Corbusier – La Esperanza está en Antenas
Lena Platonos – Μια Γάτα Σασ Περιμένει Στη Γωνία
Victrola – Luca (Instrumental)
Borghesia – Magla
Tom Ellard – Ga Duum Blitzfonika
X-Ray Pop – Corto Maltese
Second Decay – Lübeckerstrasse
From Nursery To Misery – Contentment
Cyrnai – Digital Grit Box (Demo)
Celebrating a Decade of Dark Entries with a compilation titled ‘Tens Across The Board’. We revisit our roster and chose 10 songs from 10 bands from 10 different countries spanning the years 1981-1993. The songs flow in chronological order and have never appeared on vinyl, with 7 of the songs previously unreleased. The compilation begins in 1981 with Parade Ground from Belgium, the duo of brothers Pierre and Jean-Marc Pauly with help from Patrick Codenys and Jean-Luc of Front 242. “The Light’s Gone” was one of their earliest experiments and employs a stark minimalism with modular synthesizers, guitar reverb and tape delay. Next we venture to Granada, Spain in 1982 to meet the trio of Diseño Corbusier. Influenced by Cabaret Voltaire and Dadaism, “La Esperanza está en Antenas” was the band’s take on melancholic pop fueled by a robotic DR-55 bass-line. Sailing the Mediterranean Sea to Athens to meet Greek electronic goddess Lena Platonos who shares a demo from 1983. “Μια Γάτα Σασ Περιμένει Στη Γωνία” translates to “A Cat Is Waiting On The Corner” and is possibly the witchiest sounds we’ve shared yet, ending with a blood curdling scream. Frozen in 1983 we cross Ionian Sea to Messina, Italy and visit Victrola, the duo of Antonino “Eze” Cuscinà and Carlo Smeriglio. They’ve unearthed a melodic instrumental version of “Luca” fueled by a Korg Polysix and TB-303. Traveling across the Adriatic to Slovenia circa 1984, where Borghesia are working on their album ‘Ljubav Je Hladnija Od Smrti’. “Magla” translates to “Fog” fitting for the thick, somber electronics of Aldo Ivancic providing a dense atmosphere for the baritone vocals of Dario Seraval.
On Side B we go down under to Sydney and excavate a hidden Tom Ellard song recorded in 1984 under the alias Lord Metal, an anagram of his name for copyright reasons. “Ga Duum Blitzfonika” is a slow-motion, unadulterated dance groove originally released on the cassette compilation “Independent World”. Skipping ahead to 1986 in Tours, France we salute X-Ray Pop the minimum new wave duo of Didier “Doc” Pilot and Zouka Dzaza. They contribute the hypnotically fragile “Corto Maltese” that originally appeared on the cassette compilation ‘Plop’. Crossing the German boarder we arrive in Dortmund at the apartment of Andreas Sippel of Second Decay who recorded the instrumental demo “Lübeckerstrasse” in 1988 with partner Christian Purwien. Utilizing an TR-808, SH-101 and Arp Odyssey this cold slice of futurism was named after the street Andreas lived on. Traveling westward to England, specifically Basildon, Essex to the teenage bedroom of From Nursery To Misery, the trio of identical twin sister vocalists Gina and Tina Fear and keyboard player Lee Stevens. “Contentment” is an introspective, ethereal pop song with child-like vocals that originally appeared on the Belgian tape compilation ‘Heartbeat Vol.4’ in 1989. Finally, we return home to San Francisco and close out the compilation with Cyrnai the moniker of multi-instrumentalist Carolyn Fok. “Digital Grit Box (Demo)” was an outtake from the ‘Transfiguration’ album sessions recorded in 1993, utilizing dark dance drum beats made with MIDI sequencer programs Studio Vision and Sample Cell. All songs have been remastered by George Horn at Fantasy Studios. The vinyl is housed in a custom designed jacket by Eloise Leigh featuring our label’s colors black-white-red with connect-the-dots pattern linking the 10 songs via maps/timeline/location, all relating to the reissue process, plus source images from San Francisco, our hometown. For this landmark release we’ve also printed a 2-sided fold-out wall poster that includes every artist we’ve released in our first 10 years 2009-2019 in black, red and silver metallic ink, plus an 8×11 insert with lyrics, notes and photos.